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Your search for 'Literary Theory and Criticism' in subject and Public in rights found 73 book(s).
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Title: ABC of influence: Ezra Pound and the remaking of American poetic tradition online access is available to everyone
Author: Beach, Christopher
Published: University of California Press,  1992
Subjects: Literature | Literary  Theory  and  Criticism | Poetry | American Studies | American Literature
Publisher's Description: In this first full-length study of Pound's influence on American poetry after World War II, Beach argues that Pound's experimental mode created a new tradition of poetic writing in America. Often neglected by academic critics and excluded from the "canon" of American poetic writing, Charles Olson, Robert Duncan, and later members of this experimental tradition have maintained the sense of an American avant garde in keeping with Pound's modernist experiments of the 1910s and 1920s. The work of these poets has served as a counterforce to the established traditions of the "American Sublime" and the Anglo-American formalism represented by T. S. Eliot and the New Criticism. ABC of Influence challenges previous discussions of poetic influence, particularly Harold Bloom's oedipal theory of revisionist "misreading," as insufficient for understanding the influence Pound's modernist practice and his relationship to poetic tradition had in defining the postmodernist poetics of Olson, Duncan, and other postwar American writers. The relation of these poets is most clearly seen on a formal level, but it is also evident in thematic elements of their work and in their stance toward poetic convention, the "canon," political and social engagement, and the inclusion of historical and other nonpoetic materials in the poetic text.This book makes a significant contribution to the study of modern American poetry by exploring modernism's legacy and charting new canonical possibilities in American literature. In reading Pound through the works of later poets, it also provides important new insights into Pound's own work and ideas.   [brief]
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2. cover
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Title: Acting naturally: Mark Twain in the culture of performance online access is available to everyone
Author: Knoper, Randall K 1953-
Published: University of California Press,  1995
Subjects: Literature | American Literature | Literary  Theory  and  Criticism | Twain | American Studies
Publisher's Description: The phenomenon of performance is central to Mark Twain's writing and persona. But Twain's performative aspects have usually been dismissed as theatrical and discounted as lowbrow burlesque. Randall Knoper takes Twain's theatricality seriously and shows how Twain's work both echoes and engages the social and cultural problems embodied in nineteenth-century popular entertainments.Knoper draws on theater history, theories of acting and bodily expression, psychology and physiology, scientific accounts of spiritualism, and commercial spectacles to demonstrate Twain's use of "acting" and the "natural" in his creative explorations. This book enlarges our understanding of Mark Twain - the artist and the man - and also provides a window into a culture whose entertainments registered the sexual, racial, economic, and scientific forces that were transforming it.   [brief]
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3. cover
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Title: Ambiguous angels: gender in the novels of Galdós online access is available to everyone
Author: Jagoe, Catherine
Published: University of California Press,  1994
Subjects: Literature | European Literature | Literary  Theory  and  Criticism | Women's Studies
Publisher's Description: The contradictory nature of the work of Benito Pérez Galdós, Spain's greatest modern novelist, is brought to the fore in Catherine Jagoe's innovative and rigorous study. Revising commonly held views of his feminism, she explores the relation of Galdós's novels to the "woman question" in Spain, arguing that after 1892 the muted feminist discourse of his early work largely disappears. While his later novels have been interpreted as celebrations of the emancipated new woman, Jagoe contends that they actually reinforce the conservative, bourgeois model of frugal, virtuous womanhood - the angel of the house.Using primary sources such as periodicals, medical texts, and conduct literature, Jagoe's examination of the evolution of feminism makes Ambiguous Angels valuable to anyone interested in gender, culture, and narrative in nineteenth-century Europe.   [brief]
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4. cover
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Title: Another kind of love: male homosexual desire in English discourse, 1850-1920 online access is available to everyone
Author: Craft, Christopher 1952-
Published: University of California Press,  1994
Subjects: Literature | Sociology | Literary  Theory  and  Criticism | Gender Studies | GayLesbian and Bisexual Studies
Publisher's Description: In a study that will be of interest to all those concerned with the politics of gender, the history of sexuality, and the erotics of reading, Christopher Craft investigates questions fundamental to any history of present sexualities. How does the modern binary homosexual/heterosexual relate to earlier formulations like "sexual inversion" and "sodomy"? What part does literature play in the development of such categories, or in a culture's resistance to them? And what are the implications for the creation and maintenance of the presumed "natural" male heterosexual subject? How has male heterosexual subjectivity been established as a bulwark against the attractions of a homosexual desire that is repeatedly incited by the very culture that condemns it?Craft examines the discourses of nineteenth-century psychiatry and sexology; some of Freud's central writings; and Tennyson's In Memoriam , Wilde's The Importance of Being Earnest , Stoker's Dracula , and Lawrence's Women In Love .   [brief]
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5. cover
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Title: The best of the Argonauts: the redefinition of the epic hero in book one of Apollonius's Argonautica online access is available to everyone
Author: Clauss, James Joseph
Published: University of California Press,  1993
Subjects: Classics | Literature | Classical Literature and Language | Literary  Theory  and  Criticism
Publisher's Description: This revelatory exploration of Book One of the Argonautica rescues Jason from his status as the ineffectual hero of Apollonius' epic poem. James J. Clauss argues that by posing the question, "Who is the best of the Argonauts?" Apollonius redefines the epic hero and creates, in Jason, a man more realistic and less awesome than his Homeric predecessors, one who is vulnerable, dependent on the help of others, even morally questionable, yet ultimately successful.In bringing Apollonius' "curious and demanding poem" to life, Clauss illuminates two features of the poet's narrative style: his ubiquitous allusions to the poetry of others, especially Homer, and the carefully balanced structural organization of his episodes. The poet's subtextual interplay is explored, as is his propensity for underscoring the manipulation of the poetry of others through ring composition.   [brief]
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6. cover
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Title: Caught in the act: theatricality in the nineteenth-century English novel online access is available to everyone
Author: Litvak, Joseph
Published: University of California Press,  1992
Subjects: Literature | English Literature | Literary  Theory  and  Criticism | GayLesbian and Bisexual Studies
Publisher's Description: Litvak demonstrates that private experience in the novels of Austen, Charlotte Brontë, Eliot, and James is a rigorous enactment of a public script that constructs normative gender and class identities. He suggests that the theatricality which pervades these novels enforces social norms while introdu . . . [more]
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7. cover
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Title: City steeple, city streets: saints' tales from Granada and a changing Spain online access is available to everyone
Author: Slater, Candace
Published: University of California Press,  1990
Subjects: Anthropology | Folklore and Mythology | Literary  Theory  and  Criticism | European Literature
Publisher's Description: Candace Slater's new book focuses on narratives concerning Fray Leopoldo de Alpandeire (1864-1956), a Capuchin friar from Granada and probably the most popular nonconsecrated saint today in all of Spain. In tracing the emergence of a group of contemporary legends about Fray Leopoldo, Slater discusses both the stories she tape-recorded in the streets of Granada and the friar's official biography. She underscores the essential pluralism of the tales, their undercurrent of resistance to institutional authority, and their deep concern for the relationship between past and present. Bearing witness to the subtlety and resilience of even the most apparently conservative folk-literary forms, these stories are not only about the role of saints and miracles in an increasingly secular and industrial society but, first and foremost, also about the legacy of the Franco years.   [brief]
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8. cover
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Title: The color of gender: reimaging democracy online access is available to everyone
Author: Eisenstein, Zillah R
Published: University of California Press,  1994
Subjects: Gender Studies | European Literature | Literary  Theory  and  Criticism | Women's Studies
Publisher's Description: In this provocative volume, Zillah Eisenstein uncovers the hidden sexual and racial politics of the past decade. Beginning where she left off in her award-winning book The Female Body and the Law , Eisenstein takes the reader on a feminist-inspired road trip, traveling from the thicket of recent abortion decisions to the revolutions of 1989 to the murky chambers of the Anita Hill/Clarence Thomas hearings. Along the way, she enunciates a wholly original conception of individual privacy and sexual rights.Eisenstein brings a range of topics to her discussion: the L.A. riots, crack babies, Murphy Brown, political correctness, the 1992 presidential election, the Gulf War. She seeks to redirect our thinking about democracy away from universal conceptions that mask racial and gender oppression to the specific realities of women and people of color. A respect for multiple differences - as represented in the needs of women of color and their bodies - is, she says, essential to inclusive universal rights. Reproductive freedoms and sexual equality, not abstract notions of civil liberties, provide the wellsprings of a meaningful democratic life. Using this perspective to evaluate the Eastern European revolutions of 1989, Eisenstein finds that the separation between their ideals and the reality of the market system illustrates the failings of democratic theory, especially for women.Eisenstein's controversial arguments will provoke a rethinking of what race and gender mean today.   [brief]
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9. cover
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Title: Cool conduct: the culture of distance in Weimar Germany online access is available to everyone
Author: Lethen, Helmut
Published: University of California Press,  2002
Subjects: History | Sociology | German Studies | Literary  Theory  and  Criticism
Publisher's Description: Cool Conduct is an elegant interpretation of attitudes and mentalities that informed the Weimar Republic by a scholar well known for his profound knowledge of this period. Helmut Lethen writes of "cool conduct" as a cultivated antidote to the heated atmosphere of post-World War I Germany, as a way o . . . [more]
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10. cover
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Title: Dearest beloved: the Hawthornes and the making of the middle-class family online access is available to everyone
Author: Herbert, T. Walter (Thomas Walter) 1938-
Published: University of California Press,  1993
Subjects: Literature | American Literature | Literary  Theory  and  Criticism | Women's Studies | Men and Masculinity | Autobiographies and Biographies | American Studies | United States History
Publisher's Description: The marriage of Nathaniel and Sophia Hawthorne - for their contemporaries a model of true love and married happiness - was also a scene of revulsion and combat. T. Walter Herbert reveals the tragic conflicts beneath the Hawthorne's ideal of domestic fulfillment and shows how their marriage reflected the tensions within nineteenth-century society. In so doing, he sheds new light on Hawthorne's fiction, with its obsessive themes of guilt and grief, balked feminism and homosexual seduction, adultery, patricide, and incest.   [brief]
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11. cover
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Title: Dedication to hunger: the anorexic aesthetic in modern culture online access is available to everyone
Author: Heywood, Leslie
Published: University of California Press,  1996
Subjects: Gender Studies | Literary  Theory  and  Criticism | Women's Studies | Literature
Publisher's Description: Writing as a competitive athlete, an academic, and a woman, Leslie Heywood merges personal history and scholarship to expose the "anorexic logic" that underlies Western high culture. She maneuvers deftly across the terrain of modern literature, illustrating how this logic - the privileging of mind over body, of hard over soft, of masculine over feminine - is at the heart of the modernist style. Her argument ranges from Plato to women's bodybuilding, from Franz Kafka to Nike ads.In penetrating examinations of Kafka, Pound, Eliot, William Carlos Williams, and Conrad, Heywood demonstrates how the anorexic aesthetic is embodied in high modernism. In a compelling chapter on Jean Rhys, Heywood portrays an author who struggles to develop a clean, spare, "anorexic" style in the midst of a shatteringly messy emotional life. As Heywood points out, students are trained in the aesthetic of high modernism, and academics are pressured into its straitjacket. The resulting complications are reflected in structures as diverse as gender identity formation, sexual harassment, and eating disorders.Direct, engaging, and intensely informed by the author's personal involvement with her subject, Dedication to Hunger offers a powerful challenge to cultural assumptions about language, gender, subjectivity, and identity.   [brief]
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12. cover
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Title: Dilemmas of enlightenment: studies in the rhetoric and logic of ideology online access is available to everyone
Author: Kenshur, Oscar 1942-
Published: University of California Press,  1993
Subjects: Philosophy | Social and Political Thought | Literary  Theory  and  Criticism | European History
Publisher's Description: Oscar Kenshur combines trenchant analyses of important early-modern texts with a powerful critique of postmodern theories of ideology. He thereby contributes both to our understanding of Enlightenment thought and to contemporary debates about cultural studies and critical theory.While striving to resolve "dilemmas" occasioned by conflicting intellectual and political commitments, seventeenth- and eighteenth-century writers often relied upon ideas originally used by their enemies to support very different claims. Thus, they engaged in what Kenshur calls "intellectual co-optation." In exploring the ways in which Dryden, Bayle, Voltaire, Johnson, and others used this technique, Kenshur presents a historical landscape distinctly different from the one constructed by much contemporary theory.   [brief]
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13. cover
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Title: The disenchanted self: representing the subject in the Canterbury tales online access is available to everyone
Author: Leicester, H. Marshall (Henry Marshall) 1942-
Published: University of California Press,  1990
Subjects: Literature | Literary  Theory  and  Criticism | Medieval Studies
Publisher's Description: The question of the "dramatic principle" in the Canterbury Tales , of whether and how the individual tales relate to the pilgrims who are supposed to tell them, has long been a central issue in the interpretation of Chaucer's work. Drawing on ideas from deconstruction, psychoanalysis, and social theory, Leicester proposes that Chaucer can lead us beyond the impasses of contemporary literary theory and suggests new approaches to questions of agency, representation, and the gendered imagination.Leicester reads the Canterbury Tales as radically voiced and redefines concepts like "self" and "character" in the light of current discussions of language and subjectivity. He argues for Chaucer's disenchanted practical understanding of the constructed character of the self, gender, and society, building his case through close readings of the Pardoner's, Wife of Bath's, and Knight's tales. His study is among the first major treatments of Chaucer's poetry utilizing the techniques of contemporary literary theory and provides new models for reading the poems while revising many older views of them and of Chaucer's relation to his age.   [brief]
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14. cover
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Title: An empire nowhere: England, America, and literature from Utopia to The tempest online access is available to everyone
Author: Knapp, Jeffrey
Published: University of California Press,  1991
Subjects: Literature | Literary  Theory  and  Criticism | United States History | Renaissance Literature | European History
Publisher's Description: What caused England's literary renaissance? One answer has been such unprecedented developments as the European discovery of America. Yet England in the sixteenth century was far from an expanding nation. Not only did the Tudors lose England's sole remaining possessions on the Continent and, thanks to the Reformation, grow spiritually divided from the Continent as well, but every one of their attempts to colonize the New World actually failed.Jeffrey Knapp accounts for this strange combination of literary expansion and national isolation by showing how the English made a virtue of their increasing insularity. Ranging across a wide array of literary and extraliterary sources, Knapp argues that English poets rejected the worldly acquisitiveness of an empire like Spain's and took pride in England's material limitations as a sign of its spiritual strength. In the imaginary worlds of such fictions as Utopia , The Faerie Queene , and The Tempest , they sought a grander empire, founded on the "otherworldly" virtues of both England and poetry itself.   [brief]
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15. cover
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Title: Erotic faculties online access is available to everyone
Author: Frueh, Joanna
Published: University of California Press,  1996
Subjects: Art | Gender Studies | Women's Studies | Literary  Theory  and  Criticism | Art Theory
Publisher's Description: The erotic and the intellectual come together to create a new kind of criticism in the lushly written work of Joanna Frueh. Addressing sexuality in ways that are usually hidden or left unsaid, Frueh - a noted performance artist and art historian - explores subjects such as aging, beauty, love, sex, pleasure, contemporary art, and the body as a site and vehicle of knowledge. Frueh's language is explicit, graphic, fragmented. She assumes multiple voices: those of lover, prophet, daughter, mythmaker, art critic, activist, and bleeding heart. What results is an utterly original narrative that frees us from the false objectivity of traditional critical discourse and affirms the erotic as a way to ease human suffering.Through personal reflection, parody, autobiography, and poetry, Frueh shows us what it means to perform criticism, to personalize critical thinking. Rejecting postmodern, deconstructed prose, she recuperates the sentimental, proudly asserts a romantic viewpoint, and disrupts academic and feminist conventions. Erotic Faculties seeks to free the power of our unutilized erotic faculties and to expand the possibilities of criticism; it is a wild ride and a consummate pleasure.   [brief]
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16. cover
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Title: The erotic Whitman online access is available to everyone
Author: Pollak, Vivian R
Published: University of California Press,  2000
Subjects: Literature | American Studies | Gender Studies | American Literature | Literary  Theory  and  Criticism
Publisher's Description: In this provocative analysis of Whitman's exemplary quest for happiness, Vivian Pollak skillfully explores the intimate relationships that contributed to his portrayal of masculinity in crisis. She maintains that in representing himself as a characteristic nineteenth-century American and in proposing to heal national ills, Whitman was trying to temper his own inner conflicts as well. The poet's expansive vision of natural eroticism and of unfettered comradeship between democratic equals was, however, only part of the story. As Whitman waged a conscious campaign to challenge misogynistic and homophobic literary codes, he promoted a raceless, classless ideal of sexual democracy that theoretically equalized all varieties of desire and resisted none. Pollak suggests that this goal remains imperfectly achieved in his writings, which liberates some forbidden voices and silences others. Integrating biography and criticism, Pollak employs a loosely chronological organization to describe the poet's multifaceted "faith in sex." Drawing on his early fiction, journalism, poetry, and self-reviews, as well as letters and notebook entries, she shows how in spite of his personal ambivalence about sustained erotic intimacy, Whitman came to imagine himself as "the phallic choice of America."   [brief]
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17. cover
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Title: Ethnocriticism: ethnography, history, literature online access is available to everyone
Author: Krupat, Arnold
Published: University of California Press,  1992
Subjects: Literature | Anthropology | American Literature | Literary  Theory  and  Criticism | Native American Studies
Publisher's Description: Ethnocriticism moves cultural critique to the boundaries that exist between cultures. The boundary traversed in Krupat's dexterous new book is the contested line between native and mainstream American literatures and cultures.For over a century the discourses of ethnography, history, and literature have sought to represent the Indian in America. Krupat considers all these discourses and the ways in which Indians have attempted to "write back," producing an oppositional - or at least a parallel - discourse.   [brief]
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18. cover
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Title: Fathering the nation: American genealogies of slavery and freedom online access is available to everyone
Author: Castronovo, Russ 1965-
Published: University of California Press,  1996
Subjects: Literature | American Literature | Literary  Theory  and  Criticism | American Studies | Postcolonial Studies
Publisher's Description: Russ Castronovo underscores the inherent contradictions between America's founding principles of freedom and the reality of slavery in a book that probes mid-nineteenth-century representations of the founding fathers. He finds that rather than being coherent and consensual, narratives of nationhood are inconsistent, ambivalent, and ironic. He examines competing expressions of national memory in a wide range of mid-nineteenth-century artifacts: slave autobiography, classic American fiction, monumental architecture, myths of the Revolution, proslavery writing, and landscape painting.Castronovo theorizes a new American cultural studies which takes into consideration what Toni Morrison calls the "Africanist presence" that permeates American literature. He presents a genealogy that recovers those members of the national family whose status challenges the body politic and its history. The forgotten orphans in Melville's Moby-Dick and Israel Potter , the rebellious slaves in the work of Frederick Douglass and William Wells Brown, the citizens afflicted with amnesia in Lincoln's speeches, and the dispossessed sons in slave narratives all provide dissenting voices that provoke insurrectionary plots and counter-memories. Viewed here as a miscegenation of stories, the narrative of "America" resists being told of an intelligible story of uncontested descent. National identity rests not on rituals of consensus but on repressed legacies of parricide and rebellion.   [brief]
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19. cover
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Title: Faultlines: cultural materialism and the politics of dissident reading online access is available to everyone
Author: Sinfield, Alan
Published: University of California Press,  1992
Subjects: Literature | Renaissance Literature | English Literature | Literary  Theory  and  Criticism
Publisher's Description: If we come to consciousness within a language that is complicit with the social order, how can we conceive, let alone organize, resistance to that social order? This key question in the politics of reading and subcultural practice informs Alan Sinfield's book on writing in early-modern England.New historicism has often shown people trapped in a web of language and culture. In lively discussions of writings by Shakespeare, Marlowe, Sidney, and Donne, Sinfield reassesses the scope of dissidence and control. The early-modern state, Christianity, and the cultural apparatus, despite an ideology of unity and explicit violence, could not but allow space to challenging voices. Sinfield shows that disruptions in concepts of hierarchy, nationality, gender, and sexuality force their way into literary texts.Sinfield is often provocative. He "rewrites" Julius Caesar to produce a different politics, compares Sidney's idea of poetry to Leonid Brezhnev's, and reinstates the concept of character in the face of post-structuralist theory. He keeps the current politics of literary study in view, especially in a substantial chapter on Shakespeare in the U.S. Sinfield subjects interactions between class, ethnicity, sexuality, and the professional structures of the humanities to a detailed and hard-hitting critique, and argues for new commitments to collectivities and subcultures.   [brief]
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20. cover
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Title: The feminine sublime: gender and excess in women's fiction online access is available to everyone
Author: Freeman, Barbara Claire
Published: University of California Press,  1997
Subjects: Literature | Literary  Theory  and  Criticism | Women's Studies
Publisher's Description: The Feminine Sublime provides a new and startling insight into the modes and devices employed in the creation of women's fiction since the eighteenth century. Barbara Claire Freeman argues that traditional theorizations of the sublime depend upon unexamined assumptions about femininity and sexual difference, and that the sublime could not exist without misogynistic constructions of "the feminine." Taking this as her starting point, Freeman suggests that the "other sublime" that comes into view from this new perspective not only offers a crucial way to approach representations of excess in women's fiction, but allows us to envision other modes of writing the sublime.Freeman reconsiders Longinus, Burke, Kant, Weiskel, Hertz, and Derrida while also engaging a wide range of women's fiction, including novels by Chopin, Morrison, Rhys, Shelley, and Wharton. Addressing the coincident rise of the novel and concept of the sublime in eighteenth-century European culture, Freeman allies the articulation of sublime experience with questions of agency and passion in modern and contemporary women's fiction. Arguments that have seemed merely to explain the sublime also functioned to evaluate, domesticate, and ultimately exclude an otherness that is almost always gendered as feminine. Freeman explores the ways in which fiction by American and British women, mainly of the twentieth century, responds to and redefines what the tradition has called "the sublime."   [brief]
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